Class 7: Lesson Study II Fishbowl / Nikkei Planning

Fishing is good near Klamath Falls Oregon

Lesson Study II

We are beginning our second round of lesson studies. This time we are sharing lesson ideas in groups of three over the next four weeks. Three students will troubleshoot their lesson ideas – with a focus on content, process and product. They’ll do this within “the fishbowl.” Their classmates will observe from outside the fishbowl. They’ll be using a T chart to track two items – useful questions they heard in the fishbowl and question that “should” have been asked. Feedback from in and outside the fishbowl will be used by students to improve their lesson idea.

Portland Assembly Center

Nikkei project planning session

Students are serving as curriculum consultants to the Nikkei Legacy Center. We used class time to work in our three project teams:

  1. “Museum in a Suitcase” – Developing a set of lesson plans for intermediate through high school students to support a traveling suitcase filled with historic artifacts on the incarceration of Japanese-Americans. ( Christina, Kristi, Cory, Heather, Erin and Damian)
  2. “Virtual Museum” – Creating an online collection of lessons that parallel the installation at the Nikkei Center tracing pre war life, incarceration, camp conditions and acclamation following the war. I would serve as a pre or post visit enhancement. (Peter and Kyle)
  3. “Japantown Walking Tour” – Developing a native iPhone app walking tour of the historic Japantown in Portland. It will include geo-fenced text, photos, audio, video and tools for sharing user reaction to the content via social media. (Collin, Aram, Tom and Sam)

Image Credits: Fishing is good near Klamath Falls, Oregon OSU Special Collections

Photo of Nikkei Legacy Center installation

Class 5: Exploring Project Based Learning

Henry Sakamoto

Henry Sakamoto
For video interviews and more go to Densho Digital Archive. Use free guest login.

The Densho Digital Archive holds a wealth of visual history interviews and other materials that broadly document the Japanese American experience. These unique primary sources cover a span of history from immigration in the early 1900s through redress in the 1980s with a particular focus on the World War II mass incarceration.

Students explore their world with an expectation of choice and control that redefines traditional notions of learning and literacy. Increasingly educators are discovering that they can motivate students with a project (or problem) based approach that engages their students with the opportunity to think like professionals while solving real-world problems.

Here’s 6 reasons why PBL works:

  1. Traditional instruction is based on “teaching as telling.” PBL creates learning more immersive experiences.
  2. A new information “culture” demands a new literacy. PBL can build those skills
  3. We need to increase the rigor in the classroom. PBL moves students to higher levels of Blooms.
  4. PBL makes learning relevant – student take responsibility for their progress.
  5. Usually the audience for thinking is the teacher – PBL shifts the focus to real world application.
  6. PBL can gain added impact by inspiring and empowering student as change agents in their community.

Instead of simply talking about PBL, our class will be undertaking a PBL project that embodies all the elements above. We will be serving as curriculum consultants to the Portland’s Nikkei Legacy Center. The center is dedicated to “Sharing and preserving Japanese American history and culture in Portland’s Old Town neighborhood, where Japantown once thrived.”

Our task to is to use our instructional design skills to assist the Center in creating curriculum material. At this point we are considering three possible projects:

  1. Self-guided instructional activities for middle school museum visitors.
  2. A teacher’s curriculum / activity guide to accompany a historic document filled suitcase that goes out on loan to the classroom.
  3. Selecting historic materials for inclusion in an iPhone App tour of Portland’s historic Japantown neighborhood.

A PBL experience always needs a good kick-off entry event to get students engaged in the task. We will begin our project with a classroom visit by Henry Sakamoto, who grew up in  Japantown and was attending high school at the time of the Pearl Harbor attack. Henry and his family were subjected to FBI search, transfer to the Portland Assembly Center and eventually interred at Mindoka Concentration Camp in Idaho.

Henry will be introduced by Kim Blair, education manager of the Nikkei Legacy Center. Next week’s class will be held at the Center where we will be able to tour the museum and work with Kim and Todd Mayberry, Director of Collections.

Update: Unfortunately Mr Sakamoto could not make it to our class. We discussed our project work with Kim Blair, education manager of the Nikkei Legacy Center.

Then we did a bit of “speed dating” of our ideas for the DBQ AssignmentStudents formed two lines and had 2 minutes to pitch their DBQ design idea to each other and share some feedback. Then one line shifted and we repeated the pitch exchange. In all students pitched their idea three times.

DBQ Design Assignment

zut pour les zepplins

Working as individuals or in 2 person teams, students will design a DBQ question suitable for inclusion of our DBQ iBook (available at iTunes).
See Class 4 for recommendations for DBQs and Teaching with Documents.

I’ve posted some recommendations for best websites for finding primary documents.
American History  | World History

This extended assignment meets two of our course requirements as noted in the syllabus (146 KB pdf)
#1: Resources Assignment
#5: iBook showcase

The DBQ Design Assignment will be accomplished in 3 phases:

Step 1: Develop a proposal which will be submitted for peer review.
You should be prepared to deliver a 2 min pitch to class. (not a written assignment to be turned in)

Due date:  9/23.

Then we did a bit of “speed dating” of our ideas for the DBQ Assignment. Students formed two lines and had 2 minutes to pitch their DBQ design idea to each other and share some feedback. Then one line shifted and we repeated the pitch exchange. In all students pitched their idea three times.

The goal of this phase is to gather feedback from peers regarding the following:

  1. You have an interesting generative / essential question worth answering.
  2. Your initial appraisal indicates there are suitable documents available. (Documents could be multimedia).
  3. You have an idea for how students will use your DBQ to build Common Core skills. “What does it say, how does it say it, what’s it mean to me?”

Step 2: Following class feedback on 9/23. Student should send a brief description (via email) of their proposed DBQ to the instructor by Sat 9/28. He will give you feedback when we meet on 9/30 at the Nikkei Center.

Step 3: Students will share their revised idea as a blog post here at EdMethods by Sat Oct 5th. It should explain how you intend to address the 3 questions above. Students are expected to review and comment on at least two of their peers ideas by Sat Oct 12th.  

Step 4: Students will open an account at Learnist and use the site to post their DBQ. 
Due date: Oct 26

Learnist is a web-based curation site with built in social media tools – it can collect and comment on videos, blogs, books, docs, images or anything on the web.

Your Learnist board should be tightly focused on documents that help students answer the DBQ’s generative question. Each document should include one or two scaffolding questions which help the student to use the documents to answer the DBQ’s generative question.
For a sample of a Learnist board see your instructor’s Incarceration of Japanese Americans During WWII 

Your peers will be able to make comments after each document on your Learnist board to help you focus the DBQ. Since Learnist is open to the public, you can expect that others outside our class may comment as well.

Phase 3: Students will finalize their DBQs for inclusion in our iBook showcase.
Details here.

Image Credit “Damn the Zeppelins”
George Eastman House Collection
Accession Number: 1973:0126:0026
Maker: L’AT D’ART PHOT.-Bois-Colombes
Date: ca. 1915
Medium: gelatin silver print, hand applied color
Dimensions: Overall: 8.7 x 13.6 cm